![]() I guess that what many color grading users use are "ellipse masks". ![]() ![]() Moreovee, you also have some custom (user) effects that might help such as JH Vignette, Khaver's Polygonal Masks etc.įinally, LWKS contains quite powerful node-based (realtime) effect pipeline where masking&blending can be done. You can use several CC effects (RGB, HSV, control shadows/midtones/highlights/saturation/gamma/contrast/gain.) Version 11.5 also introduced "color curves" which are also very nice. In my opinion LWKS supports fairly good amount of color correction / grading tools (for an editor!). It really depends on how sophisticated color grading tools you require. However, I suspect Lightworks may serve your purposes for a while, it has features like curves that allows you to make a range of adjustments during the grading process. The Lightworks can do both, although if you want to get more complex, specialist software like Resolve will have a lot more tools. ![]() It really depends on a production's requirements. This can involve a lot more adjustments to the images than is needed for colour correction.ĮDIT However, a colour grade can consist of just colour correcting individual shots so that they match. It can involve changing the "look" of the images, so that a production has a particular visual style. Usually it gives a neutral colour balanceĬolour grading is matching the individual shots so that they match, so that there isn't a jar on each cut. What "correct" might be will depend on what you're trying to do, but it's a basic process, commonly done in the camera. ![]() My take on colour correction is that you're adjusting the image to a correct colour balance. ![]()
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